On May 25, 2018, the song "Canzon vigesimanona, F 8.54" was released by Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet. The duration of Canzon vigesimanona, F 8.54 is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Canzon vigesimanona, F 8.54's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Benevolo: Missa si Deus pro nobis & Magnificat by Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Canzon vigesimanona, F 8.54's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Canzon vigesimanona, F 8.54 by Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Ciacona in C Major | Antonio Bertali, Freiburger BarockConsort | B Major | 2 | 1B | 120 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 3 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 67 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | E Minor | 1 | 9A | 86 BPM | ||
Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy | William Lawes, Fretwork | A Minor | 1 | 8A | 79 BPM |
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