William Lawes, Fretwork's 'Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy' came out on February 15, 2002. The duration of Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of William Lawes - Consort Music by William Lawes, Fretwork. The song's track number on the album is #6 out of 42 tracks. Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy by William Lawes, Fretwork has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana a 5 | Joseph Lupo, Fretwork | C Major | 1 | 8B | 75 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Fantasia for the Great Dooble Bass No. 17 (No. 2) | Nicholas Parker, Fretwork | F♯ Minor | 1 | 11A | 173 BPM | ||
An Wasserflüssen Babylon | Franz Tunder, Iestyn Davies, Fretwork, Silas Wollston, Richard Boothby | F Major | 0 | 7B | 106 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Pièce d'Orgue in G Major, BWV 572 à 6 | Johann Sebastian Bach, Fretwork | F♯ Major | 1 | 2B | 116 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Fors seulement, à 4 | Antoine Brumel, Fretwork | D Minor | 1 | 7A | 81 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Banchetto Musicale, Suite No. 14: I. Paduan | Johann Hermann Schein, Fretwork, Silas Wollston, Richard Boothby | G Minor | 1 | 6A | 113 BPM |
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