Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury made "Pizzicato Polka (Arr. Palmer)" available on June 27, 1994. The duration of Pizzicato Polka (Arr. Palmer) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Pizzicato Polka (Arr. Palmer)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #17. In terms of popularity, Pizzicato Polka (Arr. Palmer) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pizzicato Polka (Arr. Palmer) by Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Arr. for String Quartet by Paul Cassidy) | Ludwig van Beethoven, Brodsky Quartet | G Major | 1 | 9B | 96 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Madrigals, Book 7: Interrotte speranze, eterna fede, SV 132 (arr. J. Lloyd Webber for 3 cellos and harp) | Claudio Monteverdi, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Catrin Finch | D Minor | 1 | 7A | 122 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Shepherd's Lullaby (Arr. Chowhan) | Thomas Hewitt, Julian Lloyd Webber, Pamela Chowhan | A♭ Major | 0 | 4B | 84 BPM | ||
Suite bergamasque, L. 75: Clair de lune | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | D♭ Major | 1 | 3B | 88 BPM |
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