"Suite bergamasque, L. 75: Clair de lune" by Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury was released on June 27, 1994. Suite bergamasque, L. 75: Clair de lune is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. Suite bergamasque, L. 75: Clair de lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite bergamasque, L. 75: Clair de lune by Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
The Bird Man - from 'Nausicaä of the Valley of the Wind' | Joe Hisaishi, Royal Philharmonic Orchestra | G Minor | 4 | 6A | 80 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act III: Ode to Alan | Manu Martin, Joi Barua, Susan Lim, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Piazzolla: Oblivion, tango | Astor Piazzolla, Julian Lloyd Webber | D Minor | 0 | 7A | 81 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
12 Lieder von Schubert, S. 558: No. 9, Ständchen von Shakespeare | Franz Liszt, Mona Asuka | D Major | 0 | 10B | 67 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Snow Prelude No. 3 | Dalal | F Major | 1 | 7B | 120 BPM |
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