"Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Since Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 5 out of 83. Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Bruch: Ave Maria, Op. 61 | Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Brahms: Violin Sonata in C Minor "F-A-E": III. Scherzo, WoO 2 | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | C Major | 1 | 8B | 60 BPM | ||
Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
French Suite No. 6 in E Major, BWV 817: III. Sarabande | Johann Sebastian Bach, Murray Perahia | E Major | 0 | 12B | 69 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM |
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