Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra's 'Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio' came out on 1976. Since Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 8 out of 83. On top of that, United States appears to be the country where this track was created. Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 7 in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): II. Adagio by Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E flat, K. 452: 2. Larghetto | Wolfgang Amadeus Mozart, John Ogdon, Derek Wickens, Barry Tuckwell, Robert Hill, Martin Gatt | B♭ Major | 0 | 6B | 126 BPM | ||
Mozart Piano Concerto No. 23 | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Violin Concerto No. 5 In A, K.219: 2. Adagio | Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, London Philharmonic Orchestra | D Major | 1 | 10B | 83 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
4 Impromptus Op.142, D.935: No.3 in B Flat Major: Theme (Andante) with Variations | Franz Schubert, Radu Lupu | B♭ Major | 0 | 6B | 96 BPM | ||
Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: I. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 79 BPM |
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