From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace
Edvard Grieg, Moscow Soloists, Yuri Bashmet
Tchaikovsky: Serenade for Strings - Grieg: Holberg Suite - Mozart: Eine kleine Nachtmusik
2:38 September 24, 2008
BPM
117
Key
G Minor
Camelot
6A

Embed

Share Link

From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace - Edvard Grieg, Moscow Soloists, Yuri Bashmet Information

Acousticness
94%
Danceability
29%
Energy
10%
Instrumentalness
77%
Liveness
14%
Loudness
77%
Speechiness
4%
Valence
14%
Popularity
Loudness
-13.956 dB

Summary

"From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace" by Edvard Grieg, Moscow Soloists, Yuri Bashmet was released on September 24, 2008. The duration of From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Serenade for Strings - Grieg: Holberg Suite - Mozart: Eine kleine Nachtmusik". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace BPM

With From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace by Edvard Grieg, Moscow Soloists, Yuri Bashmet having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro by Johann Sebastian Bach, Vladimir Ashkenazy, London Symphony Orchestra, David ZinmanHarpsichord Concerto No. 1 in D Minor, BWV 1052: I. AllegroJohann Sebastian Bach, Vladimir Ashkenazy, London Symphony Orchestra, David ZinmanD Minor27A96 BPM
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto by Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraSinfonia In G Major, Wq. 183/4, H. 666: III. PrestoCarl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraA Minor28A80 BPM
Schumann: Albumblätter, Op. 124: No. 6, Wiegenliedchen by Robert Schumann, Cyprien KatsarisSchumann: Albumblätter, Op. 124: No. 6, WiegenliedchenRobert Schumann, Cyprien KatsarisD♭ Major03B94 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji OzawaPiano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animatoFranz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji OzawaB Major11B68 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohèmeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE Major112B136 BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) by Clara Schumann, Sophie Kauer, Kunal Lahiry3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)Clara Schumann, Sophie Kauer, Kunal LahiryD♭ Major03B68 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.1, Op.46: 3. Anitra's DanceEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanD Minor07A84 BPM
Les biches Suite, FP 36b: I. Rondeau by Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudLes biches Suite, FP 36b: I. RondeauFrancis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudC Major18B79 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
ISRC
GBPCP0800347
Label
L-M Records/RCA Records

Section: 0.6611146926879883

End: 0.6645050048828125