"La Boutique Fantasque: Overture" by Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti was released on 1957. La Boutique Fantasque: Overture is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 45 in the song's album "Solti At The Ballet". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Boutique Fantasque: Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Boutique Fantasque: Overture by Ottorino Respighi, Israel Philharmonic Orchestra, Sir Georg Solti having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Ancient Airs And Dances, Suite No. 1, P. 109: IV. Passo mezzo e Mascherada | Ottorino Respighi, Orpheus Chamber Orchestra | D Major | 2 | 10B | 117 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Impressioni brasiliane, P. 153: II. Butantan | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Major | 2 | 8B | 143 BPM | ||
Sopra un'aria antica | Ottorino Respighi, Anna Caterina Antonacci, Donald Sulzen | D Major | 4 | 10B | 77 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM |
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