"Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon" by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth was released on January 1, 1983. The duration of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Lanchbery, Ferdinand Hérold, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth's "Hérold, Lanchbery: La fille mal gardée" album is number 21 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante’s Variations | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | G Major | 0 | 9B | 79 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM |
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