Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon
Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth
Hérold, Lanchbery: La fille mal gardée
2:50 January 1, 1983
BPM
163
Key
A Major
Camelot
11B

Embed

Share Link

Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon - Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth Information

Acousticness
90%
Danceability
23%
Energy
15%
Instrumentalness
88%
Liveness
19%
Loudness
74%
Speechiness
4%
Valence
15%
Popularity
Loudness
-15.681 dB

Summary

"Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon" by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth was released on January 1, 1983. The duration of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Lanchbery, Ferdinand Hérold, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth's "Hérold, Lanchbery: La fille mal gardée" album is number 21 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon BPM

We consider the tempo marking of Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Hérold & Lanchbery: La fille mal gardée, Act 2: No. 28, Consternation et pardon Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Barcarolle by Jacques Offenbach, Arthur Fiedler, Boston Pops OrchestraBarcarolleJacques Offenbach, Arthur Fiedler, Boston Pops OrchestraD♭ Minor312A110 BPM
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo by Felix Mendelssohn, Slovak Philharmonic, Anthony BramallEin Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: ScherzoFelix Mendelssohn, Slovak Philharmonic, Anthony BramallF Major17B60 BPM
La vie parisienne, Polka by Jacques Offenbach, Budapest Strauss Ensemble, Istvan BogarLa vie parisienne, PolkaJacques Offenbach, Budapest Strauss Ensemble, Istvan BogarG Major49B105 BPM
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto by Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás PasquetViolin Concerto No. 11 in D Major, Op. 23: III. Rondo allegrettoPierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás PasquetD Major310B121 BPM
Gaite Parisienne (after J. Offenbach): 6. Allegro by Manuel Rosenthal, Monte-Carlo Philharmonic OrchestraGaite Parisienne (after J. Offenbach): 6. AllegroManuel Rosenthal, Monte-Carlo Philharmonic OrchestraE Major212B144 BPM
Gold Und Silber (Gold And Silver), Op. 79 by Slovak Radio Symphony Orchestra, Franz LehárGold Und Silber (Gold And Silver), Op. 79Slovak Radio Symphony Orchestra, Franz LehárC Major18B81 BPM
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew MogreliaDie Puppenfee (The Fairy Doll): No. 8 Chinesin: AllegrettoJosef Bayer, Slovak Radio Symphony Orchestra, Andrew MogreliaD Major010B92 BPM
Walpurgis Night. Ballet music from Faust Bacchante’s Variations by Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg PhilharmonicWalpurgis Night. Ballet music from Faust Bacchante’s VariationsVictor Fedotov, Academic Symphony Orchestra Of The St. Petersburg PhilharmonicG Major09B79 BPM
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] by Riccardo Drigo, London Festival Ballet Orchestra, Terence KernDrigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet]Riccardo Drigo, London Festival Ballet Orchestra, Terence KernA♭ Major14B131 BPM
La Fille Mal Gardée by Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent GardenLa Fille Mal GardéeFerdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent GardenD Major110B91 BPM
ISRC
GBAYD8300249
Label
L-M Records/RCA Records

Section: 0.8463726043701172

End: 0.8616006374359131