Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden's 'La Fille Mal Gardée' came out on May 7, 2013. Since La Fille Mal Gardée is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orchestra of the Royal Opera House & Covent Garden, John Lanchberry, Israel Philharmonic Orchestra, Georg Solti's "La Fille Mal Gardée; Boutique Fantasque" album is number 1 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, La Fille Mal Gardée is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Fille Mal Gardée by Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Skaters - Waltz (arr. Norman Bates) | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 101 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
The Sleeping Beauty, Op. 66 : L'oiseau Bleu Et La Princesse Florine (Variation II) (The Blue Bird and Princess Florine) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | F Major | 1 | 7B | 121 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM |
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