Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12b, Dance of the Duchesses" available on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12b, Dance of the Duchesses being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #25. Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12b, Dance of the Duchesses is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12b, Dance of the Duchesses by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
L'Oiseau de feu, K010: VIII. Jeu de princesses avec les pommes d'or | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D Major | 2 | 10B | 87 BPM | ||
Ma mère l'oye, M.60: II. Danse du Rouet | Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France | F Minor | 0 | 4A | 103 BPM | ||
Coppelia: Act II - Chanson a boire et Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 81 BPM | ||
Giselle: Act II - Introduction: Andante sostenuto | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 100 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, Alexander Knox | D Minor | 0 | 7A | 99 BPM | ||
Queen Amidala and the Naboo Palace | John Williams, London Symphony Orchestra | D Minor | 0 | 7A | 114 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 0 | 6B | 81 BPM | ||
Hungarian Dance No.10 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 137 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM |
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