"Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato" by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel was released on September 1, 2023. With Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Rachmaninoff: The Piano Concertos & Paganini Rhapsody". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Jazz Preludes, Op. 53: No. 10 | Nikolai Kapustin, Yuja Wang | F♯ Minor | 2 | 11A | 123 BPM | ||
24 Preludes, Op. 34: No. 1 in C Major. Moderato | Dmitri Shostakovich, Tatiana Nikolayeva | D Minor | 0 | 7A | 70 BPM | ||
Consolation No. 4 in D-Flat Major, S. 172/4 | Franz Liszt, Vladimir Horowitz | F♯ Major | 0 | 2B | 99 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Olli Mustonen, Joshua Bell, Steven Isserlis | E Minor | 0 | 9A | 91 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Hungarian Rhapsody No.7 in D minor, S.244 | Franz Liszt, Roberto Szidon | A Minor | 2 | 8A | 141 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XI | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 2 | 10B | 100 BPM | ||
Etude in A flat, Op. posth. " Méthode des méthodes " | Frédéric Chopin, Vladimir Ashkenazy | D♭ Major | 1 | 3B | 67 BPM | ||
Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM |
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