Felix Mendelssohn, Péter Nagy's 'Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March)' came out on March 24, 1991. The duration of Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) is about 3 minutes long, at 3:12. Based on our data, "Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn: Songs Without Words, Vol. 2" album is number 11 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) by Felix Mendelssohn, Péter Nagy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
6 Kinderstücke Op. 72: VI. Vivace, MWV U 168 | Felix Mendelssohn, Daniel Barenboim | F Major | 2 | 7B | 108 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 6 Homeward | Edvard Grieg, Emil Gilels | D Major | 2 | 10B | 121 BPM | ||
Lieder ohne Worte, Op.38: No. 6. Andante Con Moto In A Flat, MWV U 119 - "Duetto" | Felix Mendelssohn, Daniel Barenboim | A♭ Major | 0 | 4B | 75 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Toccata, Adagio & Fugue in C Major, BWV 564: Intermezzo (Adagio) | Johann Sebastian Bach, Evgeny Kissin | D Major | 0 | 10B | 75 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM |
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