Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide"' came out on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #6. Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15a, Pas d'action. Scene of Aurora and Désiré | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 102 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 70 BPM | ||
Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
La Bayadere: Variation 2: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 179 BPM | ||
Giselle: Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 122 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, London Symphony Orchestra, Pierre Monteux | F Minor | 1 | 4A | 79 BPM |
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