Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide"
Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra
Tchaikovsky: The Sleeping Beauty, Op. 66
0:54 January 1, 1974
BPM
81
Key
B♭ Major
Camelot
6B

Embed

Share Link

Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" - Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra Information

Acousticness
94%
Danceability
8%
Energy
2%
Instrumentalness
95%
Liveness
24%
Loudness
41%
Speechiness
4%
Valence
29%
Popularity
Loudness
-35.186 dB

Summary

Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide"' came out on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #6. Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" BPM

With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievThe Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy)Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievA♭ Major14B118 BPM
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15a, Pas d'action. Scene of Aurora and DésiréPyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraF Major17B102 BPM
Coppelia: Act II - Scene by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act II - SceneLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaC Major08B70 BPM
Paquita: Variation 7: Allegro by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovPaquita: Variation 7: AllegroLudwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovA Major111B165 BPM
La Bayadere: Variation 2: Allegro by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovLa Bayadere: Variation 2: AllegroLudwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovG Major09B179 BPM
Giselle: Andante by Adolphe Adam, London Symphony Orchestra, Michael Tilson ThomasGiselle: AndanteAdolphe Adam, London Symphony Orchestra, Michael Tilson ThomasD Major010B122 BPM
Capriccio espagnol, Op. 34: III. Alborada by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzCapriccio espagnol, Op. 34: III. AlboradaNikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzB♭ Major26B133 BPM
Coppelia: Act III - Danse de fete by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act III - Danse de feteLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaD Major010B72 BPM
Gaîté parisienne: Polka I by Jacques Offenbach, Pittsburgh Symphony Orchestra, André PrevinGaîté parisienne: Polka IJacques Offenbach, Pittsburgh Symphony Orchestra, André PrevinE♭ Major25B163 BPM
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins by Claude Debussy, London Symphony Orchestra, Pierre MonteuxImages For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les cheminsClaude Debussy, London Symphony Orchestra, Pierre MonteuxF Minor14A79 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6962461471557617

End: 0.7009303569793701