Franz Schubert, Barbara Bonney, Geoffrey Parsons made "Schubert: Liebhaber in allen Gestalten, D. 558" available on January 1, 1994. The duration of Schubert: Liebhaber in allen Gestalten, D. 558 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Schubert: Liebhaber in allen Gestalten, D. 558's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Schubert: Liebhaber in allen Gestalten, D. 558 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schubert: Liebhaber in allen Gestalten, D. 558 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | F♯ Major | 0 | 2B | 111 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Jonas Kaufmann, Helmut Deutsch | F♯ Minor | 1 | 11A | 173 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Thomas Hampson, Ferruccio Furlanetto, Anthony Laciura, Renato Capecchi, Dawn Upshaw, Heidi Grant Murphy, Anne Sofie von Otter, Tatiana Troyanos, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 114 BPM | ||
Als die alte Mutter, Op. 55, No. 4 | Antonín Dvořák, Jonas Kaufmann, Helmut Deutsch | D Major | 1 | 10B | 65 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 1B. Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" | Franz Joseph Haydn, Walter Berry, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Minor | 0 | 5A | 83 BPM | ||
5 Lieder, Op. 47: III. Sonntag | Johannes Brahms, Bernarda Fink, Roger Vignoles | G Major | 0 | 9B | 73 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM |
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