"Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162" by Franz Schubert, Barbara Bonney, Geoffrey Parsons was released on January 1, 1994. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #9. In terms of popularity, Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Major | 1 | 5B | 77 BPM | ||
Die schöne Müllerin, D. 795: V. Am Feierabend | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 1 | 7B | 79 BPM | ||
Der Jüngling an der Quelle, D.300 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 174 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Beethoven: Choral Fantasy in C Minor, Op. 80: II. Finale | Ludwig van Beethoven, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Pierre-Laurent Aimard, Chamber Orchestra of Europe | C Major | 2 | 8B | 79 BPM | ||
Notre Amour, Opus 23, No. 2 | Gabriel Fauré, Barbara Bonney, Warren Jones | B♭ Major | 0 | 6B | 138 BPM | ||
Frauenliebe und -leben Op.42: 7. An meinem Herzen, an meiner Brust | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | D Major | 1 | 10B | 66 BPM | ||
Strauss, R: 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM |
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