Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin's 'Clérambault: Factum est silentium in caelo, à 1 partie' came out on 1994. The duration of Clérambault: Factum est silentium in caelo, à 1 partie is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Clérambault: Factum est silentium in caelo, à 1 partie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Emmanuel Mandrin. In terms of popularity, Clérambault: Factum est silentium in caelo, à 1 partie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clérambault: Factum est silentium in caelo, à 1 partie by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier Livre d'Orgue, Suite du deuxième ton: I. Plein jeu | Louis-Nicolas Clérambault, Ton Koopman | F♯ Minor | 3 | 11A | 85 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Ouverture No. 2 in F Major (c 1715): VI. Menuett | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM |
Section: 0.6753311157226562
End: 0.6798808574676514