"Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures" by George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra had its release date on May 24, 2024. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Rachel Baptist: Ireland’s Black Syren". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures by George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Out of the Orient, Crystal Skies (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Missa brevis in B-Flat Major, K. 275: II. Gloria | Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Patrick Grahl, Dominik Koninger, Cologne Chamber Orchestra, Christoph Poppen, WDR Rundfunkchor Köln | B♭ Major | 1 | 6B | 77 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Dido and Aeneas, Z.626, Act III Scene 2: Thy Hand Belinda; Darkness Shades Me (Dido) | Henry Purcell, Les Argonautes, Jonas Descotte, Camille Allérat | F♯ Major | 1 | 2B | 84 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Nascere Virgo potens: No. 3, Per te superbus anguis | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Francesca Cassinari, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |