"Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea"" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg was released on March 29, 2019. With Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea" being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75, Ad latus: Concerto "Surge, amica mea" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quemadmodum desiderat cervus, BuxWV 92 | Dietrich Buxtehude, Choir of New College, Oxford, Daniel Edgar, Jean Paterson, Gabriel Amherst, Robert Quinney | E Major | 0 | 12B | 79 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Messa Della Domenica: Kyrye IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum | Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Missa Paschalis, ZWV 7: Credo. Amen come nel gloria | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 178 BPM |
Section: 0.49512314796447754
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