"Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum" by Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett was released on January 1, 1990. The duration of Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum is about 3 minutes long, at 3:24. Based on our data, "Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, New London Consort, Philip Pickett's "Monteverdi: Vespro della Beata Vergine 1610" album is number 5 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum by Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Missa pro defunctis: VII. Communion | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Sheppard: Beata nobis gaudia - 6. Dudum sacrata pectora | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 1 | 9A | 76 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Sonata a 4 | Gabriele Usper, The Illyria Consort, Bojan Čičić, Gawain Glenton | F♯ Major | 2 | 2B | 86 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM |
Section: 0.517812967300415
End: 0.522632360458374