"Madrigali Erotici E Spirituali: Qui Laudes" by Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant was released on December 20, 2006. The duration of Madrigali Erotici E Spirituali: Qui Laudes is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Madrigali Erotici E Spirituali: Qui Laudes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Consort Of Musicke's "Madrigals" album is number 2 out of 15. Madrigali Erotici E Spirituali: Qui Laudes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigali Erotici E Spirituali: Qui Laudes by Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Se com'il biondi crin de la mia Filli | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | F♯ Major | 2 | 2B | 95 BPM | ||
O Jerusalem, BN 49 | Hildegard von Bingen, Christopher Page, Gothic Voices, Emma Kirkby | C Major | 0 | 8B | 76 BPM | ||
Cruel Unkind | John Ward, Consort Of Musicke, Anthony Rooley | F♯ Major | 2 | 2B | 79 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas | The Tallis Scholars, Peter Phillips | B Minor | 0 | 10A | 83 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Cancionero musical de palacio: No. 221, Muchos van de amor heridos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | A Minor | 1 | 8A | 77 BPM | ||
Third Booke of Songes, 1603: 7. Say, Love, if ever thou didst find | John Dowland, Consort Of Musicke, Anthony Rooley | B Major | 1 | 1B | 82 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM |
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