Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz's 'Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue' came out on January 1, 1994. Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz's "Hovhaness, A.: Symphony No. 2 ,"Mysterious Mountain" / Prayer of St. Gregory / And God Created Great Whales (Seattle Symphony)" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue by Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in E Minor, Op. 21 "Nordic": II. Andante teneramente, con semplicità | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 63 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No.2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, George Shangrow, Jillon Stoppels Dupree, Robert Kechley, Seattle Symphony Orchestra, Michael Kamen | C Major | 1 | 8B | 146 BPM | ||
Harold en Italie, Op. 16: II. Allegretto (March of the Pilgrims Singing the Evening Prayer) | Hector Berlioz, Rivka Golani, San Diego Symphony Orchestra, Yoav Talmi | E Major | 0 | 12B | 90 BPM | ||
Symphony No. 2 in D major, Op. 73: II. Adagio non troppo | Seattle Symphony Orchestra | B Major | 1 | 1B | 72 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | E Major | 0 | 12B | 67 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Concerto for 7 Trumpets and Timpani: I. Allegro | Johann Ernst Altenburg, Gerard Schwarz, Mark Gould, Edward Carroll, James Miller, Norman Smith, Robert Sirinek, Neil Balm, New York Trumpet Ensemble, New York Chamber Symphony | D Major | 2 | 10B | 111 BPM | ||
The Shining, Act I: There it is | Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce | F Minor | 3 | 4A | 77 BPM |
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