Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra made "Chants D'Auvergne: Vol. IV, No. 4: Chut, Chut" available on 1982. With Chants D'Auvergne: Vol. IV, No. 4: Chut, Chut being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 14 in Frederica von Stade Sings Chants d'Auvergne by Joseph Canteloube, Frederica von Stade. Based on our statistics, Chants D'Auvergne: Vol. IV, No. 4: Chut, Chut's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chants D'Auvergne: Vol. IV, No. 4: Chut, Chut by Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | C Minor | 0 | 5A | 164 BPM | ||
Canteloube : Chants d'Auvergne : Obal, din lo coumbèlo | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Anne Decoville, Orchestre de l'Opéra de Lyon | A Major | 1 | 11B | 91 BPM |
Section: 0.5654194355010986
End: 0.5694324970245361