Philip Glass, Maki Namekawa's 'Osamu's Theme: Kyoko's House' came out on July 19, 2019. The duration of Osamu's Theme: Kyoko's House is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Osamu's Theme: Kyoko's House's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Maki Namekawa's "Mishima" album is number 5 out of 14. On top of that, United States appears to be the country where this track was created. The popularity of Osamu's Theme: Kyoko's House is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Osamu's Theme: Kyoko's House by Philip Glass, Maki Namekawa to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Section 33 | Kees Wieringa, Arielle Vernède, Gerard Bouwhuis, Lotte Bovi, Mondrian Quartet, Polo de Haas, Simeon ten Holt | D♭ Major | 2 | 3B | 151 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM | ||
24 Préludes pour Piano, Op. 17: No. 22 en Sol Mineur | Felix Blumenfeld, Gabriel Gorog | G Minor | 3 | 6A | 103 BPM | ||
Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Cadenza on the Night Plain: Captain Jack Has the Last Word | Terry Riley, Kronos Quartet | D♭ Major | 1 | 3B | 115 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM |
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