Mahler: Rückert Lieder: V. Um Mitternacht - Gustav Mahler, Christa Ludwig, Gerald Moore Information

Acousticness: 100%
Danceability: 26%
Energy: 6%
Instrumentalness: 1%
Liveness: 10%
Loudness: 65%
Speechiness: 6%
Valence: 6%
Popularity: 0%
Loudness: -20.783 dB

Summary

"Mahler: Rückert Lieder: V. Um Mitternacht" by Gustav Mahler, Christa Ludwig, Gerald Moore was released on March 9, 2018. Mahler: Rückert Lieder: V. Um Mitternacht is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. There are a total of 164 in the song's album "The Complete Recitals on Warner Classics". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Mahler: Rückert Lieder: V. Um Mitternacht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mahler: Rückert Lieder: V. Um Mitternacht BPM

With Mahler: Rückert Lieder: V. Um Mitternacht by Gustav Mahler, Christa Ludwig, Gerald Moore having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Mahler: Rückert Lieder: V. Um Mitternacht Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriccio, Op. 85, TrV 279: Mondscheinmusik	Richard Strauss, Wiener Philharmoniker, André Previn	A Major	1	11B	100 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster	E♭ Major	0	5B	100 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld	Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal	E♭ Major	0	5B	80 BPM
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture	Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev	C Minor	2	5A	91 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	74 BPM
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1]	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	D♭ Minor	1	12A	86 BPM
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Das himmlische Leben	Gustav Mahler, Anne Schwanewilms, Charles Spencer	E Minor	1	9A	108 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM

ISRC: GBAYC1800229
Label: L-M Records/RCA Records

Section: 0.8995747566223145

End: 0.9032492637634277