"Rigoletto, Tito Gobbi: Act I- "Pari siamo! Io la lingua"" by Tito Gobbi was released on November 30, 2010. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #4. Rigoletto, Tito Gobbi: Act I- "Pari siamo! Io la lingua" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Tito Gobbi: Act I- "Pari siamo! Io la lingua" by Tito Gobbi having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonía No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orquestra De Cadaqués, Gianandrea Noseda | C Minor | 0 | 5A | 76 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
Sorozábal: La tabernera del puerto, Act II No. 9, Romanza: No puede ser! | Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid | F♯ Major | 2 | 2B | 112 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Habanera (From “Carmen”, WD. 31) | Katherine Jenkins, The Arcadian Ensemble | D Major | 1 | 10B | 133 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
La foule | Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | A Minor | 3 | 8A | 104 BPM | ||
Giuseppe Verdi: Rigoletto - Scorrendo uniti remota via (Chor der Höflinge) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | A Major | 3 | 11B | 123 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM |
Section: 1.0322630405426025
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