Meter Edelmann, Roberto Saccá's 'Aria: Der Vogelfanger Bin Ich Ja (Papageno, Tamino, Tres Damas)' came out on November 1, 2008. The duration of Aria: Der Vogelfanger Bin Ich Ja (Papageno, Tamino, Tres Damas) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Aria: Der Vogelfanger Bin Ich Ja (Papageno, Tamino, Tres Damas)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orquesta Sinfonica Y Coros De Baden-Baden's "La Flauta Mágica" album is number 2 out of 13. Based on our statistics, Aria: Der Vogelfanger Bin Ich Ja (Papageno, Tamino, Tres Damas)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aria: Der Vogelfanger Bin Ich Ja (Papageno, Tamino, Tres Damas) by Meter Edelmann, Roberto Saccá to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Piu allegro | Johannes Brahms, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E Minor | 1 | 9A | 78 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Lucia Popp, Klaus Tennstedt, London Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 97 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Lucas Macias Navarro, Claudio Abbado, Orchestra Mozart | C Major | 1 | 8B | 118 BPM | ||
Two Eligiac Melodies Last Spring | Academy of St. Martin in the Fields | G Major | 1 | 9B | 88 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Rachmaninov: Symphony No.2 in E minor, Op.27: 3. Adagio | Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra | A Major | 0 | 11B | 132 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM |
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