Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno's 'Carmen (Sung in Italian): Act I: Accorete! (Zuniga, Chorus)' came out on September 1, 2015. The duration of Carmen (Sung in Italian): Act I: Accorete! (Zuniga, Chorus) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Carmen (Sung in Italian): Act I: Accorete! (Zuniga, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Carmen (Sung in Italian): Act I: Accorete! (Zuniga, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen (Sung in Italian): Act I: Accorete! (Zuniga, Chorus) by Georges Bizet, Belén Amparan, Elda Ribetti, Rena Gary Falachi, Miti Truccato Pace, Franco Corelli, Anselmo Colzani, Antonio Sacchetti, Vittorio Pandano, Antonio Cassinelli, Coro di Milano della RAI, RAI Symphony Orchestra, Milan, Nino Sanzogno having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 148 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): IV. Farandole | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | D Major | 4 | 10B | 79 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |
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