"Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. The duration of Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund) is about 3 minutes long, at 3:06. Based on our data, "Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #6 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Die Walkure: Act I Scene 2: Friedmund darf ich nicht heissen (Siegmund) being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Don Giovanni: Atto Secundo, Scena 15: "Don Giovanni, a cenar teco" | Wolfgang Amadeus Mozart, Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, RIAS Kammerchor, René Jacobs | B♭ Major | 4 | 6B | 101 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |
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