"Goldschmidt: A Tender Shoot: "A Tender Shoot Has Started up from a Root of Grace"" by Otto Goldschmidt, Choir of King's College, Cambridge, Stephen Cleobury was released on December 1, 2008. With Goldschmidt: A Tender Shoot: "A Tender Shoot Has Started up from a Root of Grace" being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Goldschmidt: A Tender Shoot: "A Tender Shoot Has Started up from a Root of Grace" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldschmidt: A Tender Shoot: "A Tender Shoot Has Started up from a Root of Grace" by Otto Goldschmidt, Choir of King's College, Cambridge, Stephen Cleobury is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
There Will Be Rest | Frank Ticheli, Vox Humana, David N. Childs | E♭ Major | 1 | 5B | 106 BPM | ||
Kontakion - Nativity of Christ - Byzantine chant | Archangel Voices | G Major | 1 | 9B | 93 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Missa Gaudeamus: XVIII. Agnus Dei II | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | C Major | 0 | 8B | 128 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Funeral Sentences for the death of Queen Mary II (1695): Canzona | Henry Purcell, Baroque Brass Of London, David Hill | C Minor | 0 | 5A | 66 BPM | ||
Nunc dimittis in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 1 | 11A | 69 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
The Nutcracker Suite, Op. 71a: IIc. Russian Dance, "Trepak" (arr. W.H. Griffin) | Pyotr Ilyich Tchaikovsky, William H. Griffin, Arsis Handbell Ensemble, Aivar Mae | D Major | 4 | 10B | 147 BPM |
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