Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik made "Sinfonia da camera, Op. 2, No. 6: Affettuoso" available on February 22, 1993. The duration of Sinfonia da camera, Op. 2, No. 6: Affettuoso is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sinfonia da camera, Op. 2, No. 6: Affettuoso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anna Holbling's "Italian Baroque Favourites" album is number 22 out of 23. On top of that, Hong Kong appears to be the country where this track was created. Sinfonia da camera, Op. 2, No. 6: Affettuoso is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sinfonia da camera, Op. 2, No. 6: Affettuoso by Nicola Porpora, Anna Holbling, Quido Holbling, Daniela Ruso, Vladimir Ruso, Ján Slávik to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Salve Regina, S. 308: No. 1, Salve Regina | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | F Minor | 2 | 4A | 75 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Ferrandini: 24 Arias: No. 23, Gelido in ogni vena (From Sächsische Landsbibliothek MS 3037-I-6) | Giovanni Battista Ferrandini, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | B Minor | 1 | 10A | 123 BPM | ||
Salve Regina, S. 308: No. 3, Ad te suspiramus | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 1 | 10B | 76 BPM |
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