- BPM
- 74
- Key
- D♭ Major
- Camelot
- 3B
Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" - Richard Wagner, Hans Hotter, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti Information
- Acousticness
- 94%
- Danceability
- 22%
- Energy
- 15%
- Instrumentalness
- 1%
- Liveness
- 29%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 1%
- Loudness
- -19.419 dB
Summary
"Siegfried / Erster Aufzug: "Hier sitz' ich am Herd"" by Richard Wagner, Hans Hotter, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" appears to be safe for all ages as it is not explicit. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" BPM
With Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" by Richard Wagner, Hans Hotter, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Siegfried / Erster Aufzug: "Hier sitz' ich am Herd" Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | |
 | Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | |
 | Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM | |
 | Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Sanctus | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Major | 3 | 7B | 114 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | |
 | Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, David Zinman | F Major | 1 | 7B | 80 BPM |
- ISRC
- GBF076230111
- Label
- L-M Records/RCA Records
Section: 0.88919997215271
End: 0.8944535255432129