Jeremiah Clarke, Matthias Bamert, BBC Philharmonic, Patrick Addinall made "Trumpet Prelude "The Prince of Denmark's March" (Arr. Leopold Stokowski)" available on March 1, 1995. The duration of Trumpet Prelude "The Prince of Denmark's March" (Arr. Leopold Stokowski) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Trumpet Prelude "The Prince of Denmark's March" (Arr. Leopold Stokowski)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #3. Trumpet Prelude "The Prince of Denmark's March" (Arr. Leopold Stokowski) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trumpet Prelude "The Prince of Denmark's March" (Arr. Leopold Stokowski) by Jeremiah Clarke, Matthias Bamert, BBC Philharmonic, Patrick Addinall having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pizzicato Polka (1870) | Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 99 BPM | ||
Adoramus te Christe (arr. L. Stokowski for orchestra) | Giovanni Pierluigi da Palestrina, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 72 BPM | ||
Concerto in C Minor, S.Z799: Adagio (Arr. Johann Sebastian Bach & Tine Thing Helseth) | Alessandro Marcello, Tine Thing Helseth, Kåre Nordstoga | C Minor | 1 | 5A | 65 BPM | ||
I Was Glad | Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 3 | 6B | 67 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus | Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 0 | 5B | 108 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 76 BPM | ||
Jubilate Deo omnis terra, Ch.136 (Arr. for Choir & Chamber Orchestra) | Giovanni Gabrieli, The Cambridge Singers, La Nuova Musica, John Rutter | B Major | 1 | 1B | 67 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Cantata No.147: Herz und Mund und Tat und Leben: Chorale: Jesu bleibet meine Freude - studio | The Sixteen | F♯ Major | 1 | 2B | 83 BPM | ||
Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM |
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