"I Was Glad" by Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill was released on October 1, 1991. Since I Was Glad is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Winchester Cathedral Choir, Hubert Parry, Waynflete Singers, Edward Bairstow, Bournemouth Symphony Orchestra, Edward Elgar, David Hill, Charles Villiers Stanford, Patrick Hadley's "Jerusalem: Parry, Stanford & Elgar" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. I Was Glad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Was Glad by Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Sancta civitas: I was in the Spirit | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 1 | 7B | 126 BPM | ||
A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The three tramps leap out, seize the Mandarin and tear him away from the girl | Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 80 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: XV. Adagio molto espressivo - Più adagio (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
The King shall rejoice, Coronation anthem HWV 260: I. The King Shall Rejoice | George Frideric Handel, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 114 BPM | ||
2 Ancient Liturgical Melodies (arr. L. Stokowski): Veni Creator Spiritus - Veni Emmanuel (arr. L. Stokowski) | Anonymous, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 55 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
Prologue (Look Down) / At the End of the Day | Bournemouth Symphony Orchestra, Seann Alderking | F Minor | 3 | 4A | 100 BPM | ||
L'incoronazione di Poppea, SV 308, Act 3: Pur ti miro, pur ti godo | Sara Macliver, Sally-Anne Russell | F♯ Major | 1 | 2B | 74 BPM |
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