Bournemouth Symphony Orchestra, Seann Alderking's 'Prologue (Look Down) / At the End of the Day' came out on January 1, 1993. The duration of Prologue (Look Down) / At the End of the Day is about 3 minutes long, at 3:29. Based on our data, "Prologue (Look Down) / At the End of the Day" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Symphonic Pieces from Les Misérables and Miss Saigon". In this album, this song's track order is #9. In terms of popularity, Prologue (Look Down) / At the End of the Day is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prologue (Look Down) / At the End of the Day by Bournemouth Symphony Orchestra, Seann Alderking having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedding Dance | I Salonisti | E♭ Major | 2 | 5B | 172 BPM | ||
Flight Through Never land | Joel McNeely | C Major | 3 | 8B | 76 BPM | ||
Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | D Minor | 2 | 7A | 93 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Cristina Ortiz, Bournemouth Symphony Orchestra, Paavo Berglund | G Major | 2 | 9B | 84 BPM | ||
Warsaw Concerto - 1988 Remastered Version | Richard Addinsell, Daniel Adni, Bournemouth Symphony Orchestra, Kenneth Alwyn | E Major | 2 | 12B | 123 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22 "Legends of the Kalevala": No. 4, Lemminkäinen's Return | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | G Major | 0 | 9B | 43 BPM | ||
Mr. Knightley | Isobel Waller-Bridge, David Schweitzer | G Major | 1 | 9B | 74 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: IV. Andante - Allegro molto e risoluto | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Belshazzar's Feast: 7. And in that same hour | William Walton, Bryn Terfel, L'Inviti, Waynflete Singers, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Andrew Litton | F Major | 0 | 7B | 105 BPM | ||
Back to Gaya (Last Cue) | Michael Kamen | G Major | 3 | 9B | 150 BPM |
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