Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) - Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier Information

Acousticness: 97%
Danceability: 18%
Energy: 18%
Instrumentalness: 91%
Liveness: 10%
Loudness: 70%
Speechiness: 4%
Valence: 10%
Popularity: 4%
Loudness: -17.986 dB

Summary

"Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra)" by Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier was released on January 27, 2009. Since Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 17 in Bach Transcriptions, Vol. 2 by Leopold Stokowski, José Serebrier. In terms of popularity, Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) BPM

The tempo marking of Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) by Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Toccata and Fugue in D Minor, BWV 565 (arr. L. Stokowski for orchestra) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carnaval, Op. 9: XII. Chopin	Robert Schumann, Daniil Trifonov	E Major	0	12B	68 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Nocturne No.19 In E Minor, Op.72 No.1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	139 BPM
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio	Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl	C Minor	1	5A	95 BPM
Deuxieme livre, Suite en Mi: X. Tambourin	Jean-Philippe Rameau, Alexander Paley	A Major	1	11B	130 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette	Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Major	3	4B	140 BPM
Chiome d'oro, SV 143	Claudio Monteverdi, Sonia Wieder-Atherton	C Major	1	8B	119 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6547143459320068

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