"Ein Totentanz zu Basel im Jahre 1943: Scene 3: Death and the Mother with her Child" by Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert was released on June 20, 2016. Since Ein Totentanz zu Basel im Jahre 1943: Scene 3: Death and the Mother with her Child is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 23 in Frank Martin: Ein Totentanz zu Basel im Jahre 1943 by Frank Martin, Associação Recreativa Musical Amigos da Branca, Sacramentskoor Breda, Bastiaan Blomhert. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ein Totentanz zu Basel im Jahre 1943: Scene 3: Death and the Mother with her Child is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein Totentanz zu Basel im Jahre 1943: Scene 3: Death and the Mother with her Child by Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 2. Mon Dieu, mon Dieu | Frank Martin, Union Chorale, Choeur Des Dames De Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 1 | 9B | 61 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Mass for 5 Voices, T. 3: Va. Agnus Dei I & II | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
Verlaine-stamning | Hildor Lundvik, Margaretha Ljunggren, Swedish Radio Choir, Gustaf Sjokvist | F♯ Minor | 0 | 11A | 176 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM | ||
In terra pax: IV. Part I: Eternel, Dieu de mon salut: Molto moderato | Frank Martin, Christine Buffle, Iris Vermillion, Daniel Galvez-Vallejo, Philippe Rouillon, Christophe Fel, Bavarian Radio Chorus, Munich Radio Orchestra, Marcello Viotti | B Major | 2 | 1B | 59 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Pocket Poetry No. 2 "Hijo": III. Dolor y Recuerdos | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Minor | 1 | 1A | 144 BPM | ||
Four Songs of Love: IV. His Left Hand | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A Minor | 0 | 8A | 69 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM |
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