"In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 2. Mon Dieu, mon Dieu" by Frank Martin, Union Chorale, Choeur Des Dames De Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet was released on July 6, 2018. With In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 2. Mon Dieu, mon Dieu being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 16 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 2. Mon Dieu, mon Dieu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 2. Mon Dieu, mon Dieu by Frank Martin, Union Chorale, Choeur Des Dames De Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): XIII. Better is Peace | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Amicus meus osculi me tradidit signo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 1 | 12A | 105 BPM | ||
Christus factus est, WAB 11 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 2 | 10B | 116 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Coronation Te Deum (Arr. Rutter) | William Walton, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Coronation Orchestra, Antonio Pappano, Peter Holder, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell | A Major | 2 | 11B | 84 BPM | ||
Requiem: IV. In Remembrance | Eleanor Daley, The Gesualdo Six, Owain Park | D♭ Major | 1 | 3B | 81 BPM | ||
Sieben Lieder, Op. 62: No. 3, Waldesnacht | Johannes Brahms, Robert Shaw, Robert Shaw Festival Singers | D♭ Major | 2 | 3B | 67 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
Crucero Weekend | Crucero Vibes | D♭ Major | 1 | 3B | 159 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM |
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