Johannes Brahms, Robert Shaw, Robert Shaw Festival Singers's 'Sieben Lieder, Op. 62: No. 3, Waldesnacht' came out on April 1, 1993. The duration of Sieben Lieder, Op. 62: No. 3, Waldesnacht is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Sieben Lieder, Op. 62: No. 3, Waldesnacht's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 40 in Brahms: Liebeslieder Waltzes & Evening Songs by Johannes Brahms, Robert Shaw, Robert Shaw Festival Singers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sieben Lieder, Op. 62: No. 3, Waldesnacht is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sieben Lieder, Op. 62: No. 3, Waldesnacht by Johannes Brahms, Robert Shaw, Robert Shaw Festival Singers is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Praeter rerum seriem: V. Benedictus | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Messa di Gloria: VIII. Quoniam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | C Major | 1 | 8B | 125 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Sapphische Ode - Op. 94, No. 4 | Johannes Brahms, Zuill Bailey, Awadagin Pratt | F Major | 1 | 7B | 73 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM |
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