Sara Wennerberg-Reuter, St. Pauli Vokalensemble's 'Motett, "Stilla komme och välkomna vare dagens slut och lön!"' came out on April 5, 2011. The duration of Motett, "Stilla komme och välkomna vare dagens slut och lön!" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Motett, "Stilla komme och välkomna vare dagens slut och lön!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vill du med till himlen? by St. Pauli Vokalensemble. The song's track number on the album is #20 out of 20 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Motett, "Stilla komme och välkomna vare dagens slut och lön!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Motett, "Stilla komme och välkomna vare dagens slut och lön!" by Sara Wennerberg-Reuter, St. Pauli Vokalensemble has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Motett, "Stilla komme och välkomna vare dagens slut och lön!" being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
O rex gloriae | Luca Marenzio, James Grossmith, Claritas | G Major | 2 | 9B | 74 BPM | ||
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM | ||
Romanzen, Book 1, Op. 69: No. 3. Klosterfraulein | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 190 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
In Your Presence | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D Major | 1 | 10B | 81 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Sicut parvi amplectamur | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Angelus Domini | St. Patrick Orthodox Church Choir | A Minor | 2 | 8A | 95 BPM | ||
Mass for Four Voices: I. Kyrie eleison | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM |
Section: 0.4928102493286133
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