- BPM
- 96
- Key
- E♭ Minor
- Camelot
- 2A
Barber: 4 Songs, Op. 13: III. "Sure on this shining night" - Samuel Barber, Nathan Gunn, Kevin Murphy Information
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 3%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -23.039 dB
Summary
"Barber: 4 Songs, Op. 13: III. "Sure on this shining night"" by Samuel Barber, Nathan Gunn, Kevin Murphy was released on February 1, 1999. The duration of Barber: 4 Songs, Op. 13: III. "Sure on this shining night" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Barber: 4 Songs, Op. 13: III. "Sure on this shining night"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 22 in American Anthem by Nathan Gunn, Kevin Murphy. In terms of popularity, Barber: 4 Songs, Op. 13: III. "Sure on this shining night" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Barber: 4 Songs, Op. 13: III. "Sure on this shining night" BPM
The tempo marking of Barber: 4 Songs, Op. 13: III. "Sure on this shining night" by Samuel Barber, Nathan Gunn, Kevin Murphy is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Barber: 4 Songs, Op. 13: III. "Sure on this shining night" Key
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | |
 | Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | |
 | Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | |
 | Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | |
 | Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | |
 | Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6274528503417969
End: 0.631422758102417