- BPM
- 82
- Key
- A Major
- Camelot
- 11B
Crecquillon / Transcr. Cabezón: Prenes pitie - Thomas Crecquillon, Jean Boyer Information
- Acousticness
- 98%
- Danceability
- 8%
- Energy
- 18%
- Instrumentalness
- 77%
- Liveness
- 10%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -19.299 dB
Summary
"Crecquillon / Transcr. Cabezón: Prenes pitie" by Thomas Crecquillon, Jean Boyer was released on January 1, 1979. The duration of Crecquillon / Transcr. Cabezón: Prenes pitie is about 3 minutes long, at 3:01. Based on our data, "Crecquillon / Transcr. Cabezón: Prenes pitie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 19 in Crecquillon: Chansons et motets by Thomas Crecquillon, Ensemble Per Cantar e Sonar, Ensemble Vocal Stéphane Caillat, Stéphane Caillat. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Crecquillon / Transcr. Cabezón: Prenes pitie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Crecquillon / Transcr. Cabezón: Prenes pitie BPM
The tempo marking of Crecquillon / Transcr. Cabezón: Prenes pitie by Thomas Crecquillon, Jean Boyer is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Crecquillon / Transcr. Cabezón: Prenes pitie Key
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | |
 | Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM | |
 | Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | |
 | Tenebrae Responsories, Feria quinta: VIII. Una hora | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | G Major | 1 | 9B | 79 BPM | |
 | Miserere a 9: No. 7, Ne projicias me - Redde mihi laetitiam | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | |
 | Petite fleur coincte et jolye | Thomas Crecquillon, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | C Major | 0 | 8B | 118 BPM | |
 | All'imperio d'Amore: 9. O Giovenil ardire a 10 "I Fabii" | Alessandro Striggio, Ensemble Pygmalion, Raphael Pichon | G Major | 1 | 9B | 95 BPM | |
| Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | |
 | Illuminare, Jerusalem: II. Filii tui de longe venient | Pierre de Manchicourt, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | |
 | Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- FRZ202100039
- Label
- L-M Records/RCA Records
Section: 0.8324337005615234
End: 0.8377442359924316