"Illuminare, Jerusalem: II. Filii tui de longe venient" by Pierre de Manchicourt, Owain Park, The Gesualdo Six was released on November 3, 2023. The duration of Illuminare, Jerusalem: II. Filii tui de longe venient is about 3 minutes long, at 3:07. Based on our data, "Illuminare, Jerusalem: II. Filii tui de longe venient" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Owain Park, Peter Cornelius, The Gesualdo Six, William Byrd, Jacobus Gallus, Arvo Pärt, Adrian Peacock, Orlande de Lassus's "Morning Star: Music for Epiphany Down the Ages" album is number 20 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Illuminare, Jerusalem: II. Filii tui de longe venient is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Illuminare, Jerusalem: II. Filii tui de longe venient by Pierre de Manchicourt, Owain Park, The Gesualdo Six to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feria secunda: Offertory. Angelus Domini | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | G Major | 0 | 9B | 127 BPM | ||
Jubilate Deo | Pierre de Manchicourt, Boston Church of the Advent Choir, Edith Ho | E Minor | 2 | 9A | 61 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
We Sing Unto Thee | The Valery Rybin Male Choir | G Major | 0 | 9B | 80 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Good Night Dear Heart | Setra Consort, Dan Forrest | B Major | 0 | 1B | 127 BPM | ||
Palestrina: Missa Assumpta Est Maria - 2a. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM |
Section: 1.0433189868927002
End: 1.0475714206695557