Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge's 'Norma / Act 1: Svanir le voci!' came out on November 11, 1987. The duration of Norma / Act 1: Svanir le voci! is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Norma / Act 1: Svanir le voci!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Based on our statistics, Norma / Act 1: Svanir le voci!'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Norma / Act 1: Svanir le voci! by Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Mal reggendo all'aspro assalto" | Giuseppe Verdi, Luciano Pavarotti, Marilyn Horne, Wynford Evans, National Philharmonic Orchestra, Richard Bonynge | C Major | 3 | 8B | 85 BPM | ||
Non ti scordar di me (Arr. Mancini) | Ernesto de Curtis, Luciano Pavarotti, Henry Mancini | A Major | 3 | 11B | 86 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Buongiorno a te | Stefano "Tellus" Nanni, Michele Centonze, Veris Giannetti, Luciano Pavarotti, Antonella Pepe, Rob Mathes, Royal Philharmonic Orchestra | B♭ Major | 4 | 6B | 95 BPM | ||
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Danza, Danza Fanciulla | Francesco Durante, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | B♭ Minor | 4 | 3A | 99 BPM | ||
Lucia di Lammermour, Act. III - Tombe degli avi miei… Fra poco a me ricovero | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | D Major | 2 | 10B | 172 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Fine al rito e il sacro bosco (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 57 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Già mi pasco ne' tuoi sguardi (Norma/Pollione) | Vincenzo Bellini, Maria Callas, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 2 | 4B | 90 BPM | ||
Un ballo in maschera / Act 3: "Ma se m'è forza perderti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 81 BPM |
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