Ernesto de Curtis, Luciano Pavarotti, Henry Mancini's 'Non ti scordar di me (Arr. Mancini)' came out on January 1, 1984. The duration of Non ti scordar di me (Arr. Mancini) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Non ti scordar di me (Arr. Mancini)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luciano Pavarotti, Unknown Orchestra, Henry Mancini's "Mamma" album is number 2 out of 16. Non ti scordar di me (Arr. Mancini) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Non ti scordar di me (Arr. Mancini) by Ernesto de Curtis, Luciano Pavarotti, Henry Mancini to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM | ||
Se è vero che ci sei | Biagio Antonacci, Luciano Pavarotti | D♭ Minor | 5 | 12A | 88 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 1. Kyrie | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 85 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 10: Duettino - Sull'aria | Donato Di Stefano, Maria Pia Ionata, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 0 | 6B | 82 BPM | ||
Turandot / Act 3: "Nessun dorma" - Live | Giacomo Puccini, Luciano Pavarotti, Plácido Domingo, José Carreras, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D Major | 4 | 10B | 148 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
I vespri siciliani: À toi que j'ai chérie | Giuseppe Verdi, Luciano Pavarotti, Claudio Abbado, Orchestra Del Teatro Alla Scala, Milano | D Major | 2 | 10B | 86 BPM | ||
Granada | Agustín Lara, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | E♭ Major | 4 | 5B | 98 BPM |
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