Stefano "Tellus" Nanni, Michele Centonze, Veris Giannetti, Luciano Pavarotti, Antonella Pepe, Rob Mathes, Royal Philharmonic Orchestra made "Buongiorno a te" available on January 1, 2003. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Ti Adoro". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Buongiorno a te is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Buongiorno a te by Stefano "Tellus" Nanni, Michele Centonze, Veris Giannetti, Luciano Pavarotti, Antonella Pepe, Rob Mathes, Royal Philharmonic Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'O sole mio (Arr. Chiaramello) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Valzer per un amore | Fabrizio De André | G Major | 2 | 9B | 70 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
La Partita Di Pallone | Rita Pavone | F Minor | 7 | 4A | 84 BPM | ||
Il Pullover | Gianni Meccia | C Major | 3 | 8B | 115 BPM | ||
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM | ||
Delfini (Sai Che C'è) | Domenico Mudugno | D♭ Minor | 5 | 12A | 166 BPM | ||
Tarantella Napoletana | Orchestra Mandolinistica Italiana | A Minor | 5 | 8A | 132 BPM | ||
Vengo Anch'Io No Tu No | Enzo Jannacci | E Minor | 5 | 9A | 110 BPM |
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