- BPM
- 95
- Key
- B♭ Minor
- Camelot
- 3A
La Guitarre Royalle: Sarabande du depart du Roy et passacaille - Francesco Corbetta, Eric Bellocq, Massimo Moscardo Information
- Acousticness
- 100%
- Danceability
- 46%
- Energy
- 1%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 3%
- Loudness
- -29.841 dB
Summary
"La Guitarre Royalle: Sarabande du depart du Roy et passacaille" by Francesco Corbetta, Eric Bellocq, Massimo Moscardo was released on February 12, 1999. The duration of La Guitarre Royalle: Sarabande du depart du Roy et passacaille is about 3 minutes long, at 3:08. Based on our data, "La Guitarre Royalle: Sarabande du depart du Roy et passacaille" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 25 in Corbetta / Visee: Suites for Guitars and Theorbos by Eric Bellocq. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La Guitarre Royalle: Sarabande du depart du Roy et passacaille is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
La Guitarre Royalle: Sarabande du depart du Roy et passacaille BPM
The tempo marking of La Guitarre Royalle: Sarabande du depart du Roy et passacaille by Francesco Corbetta, Eric Bellocq, Massimo Moscardo is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
La Guitarre Royalle: Sarabande du depart du Roy et passacaille Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | |
 | Corrente | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 90 BPM | |
 | 43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 19 Corrente, n. 20 Là ci darem la mano, n. 21 Allegretto | Niccolò Paganini, Wolfgang Amadeus Mozart, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | |
 | Sarabande in A Minor | Francesco Corbetta, Jakob Lindberg | B Major | 0 | 1B | 103 BPM | |
 | The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 100 BPM | |
 | Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | |
 | Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | |
 | Sonata in C Major (Weiss) - Largo | Edward Martin and Paul Berget | A♭ Minor | 0 | 1A | 92 BPM | |
 | Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | |
 | The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM |
- ISRC
- HKI199635713
- Label
- L-M Records/RCA Records
Section: 0.5805952548980713
End: 0.5844981670379639