Matthew Locke, Phantasm, Elizabeth Kenny made "The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre" available on January 26, 2024. With The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Locke, Phantasm's "Locke: Consorts Flat and Sharp" album is number 6 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre by Matthew Locke, Phantasm, Elizabeth Kenny to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 28 Valtz, n. 29 Marcia, n. 30 Allegretto | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
The Well-Tempered Clavier Book 1: II. Fugue No. 19, BWV 864 | Johann Sebastian Bach, Phantasm | A♭ Minor | 0 | 1A | 132 BPM | ||
Folias | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 115 BPM | ||
Suite in C Minor: I. Prélude en C sol ut mineur | Robert de Visée, Elizabeth Kenny | A Major | 0 | 11B | 138 BPM | ||
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM | ||
Sinfonia | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 68 BPM | ||
Royal Consort Sett No. 5 in D: V. Corant | William Lawes, Phantasm, Elizabeth Kenny | D♭ Major | 4 | 3B | 65 BPM | ||
Missa la Spagna: Agnus Dei | Heinrich Isaac, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 91 BPM |
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