Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.22 in B flat minor BWV891' came out on 2004. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.22 in B flat minor BWV891 is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 92 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.22 in B flat minor BWV891's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.22 in B flat minor BWV891 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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13 Variations On A Theme By Anselm Hüttenbrenner, D.576: Thema. Andantino | Franz Schubert, Wilhelm Kempff | A Minor | 0 | 8A | 126 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 126 BPM | ||
Suite en La: Premier double de la Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 91 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: III. Rondo: Allegro Vivace | Muzio Clementi, Balazs Szokolay | F Major | 2 | 7B | 112 BPM |
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