Jean-Philippe Rameau, Alexandre Tharaud made "Suite en La: Premier double de la Gavotte" available on 2001. With Suite en La: Premier double de la Gavotte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "Rameau: "Nouvelles suites"". In this album, this song's track order is #8. In terms of popularity, Suite en La: Premier double de la Gavotte is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Suite en La: Premier double de la Gavotte by Jean-Philippe Rameau, Alexandre Tharaud having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinq Incantations: IV. Pour une communion sereine de l'être avec le monde | André Jolivet, Alexandre Tharaud, Philippe Bernold | G Minor | 1 | 6A | 71 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM | ||
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Alexandre Tharaud, Alexander Vedernikov, Royal Liverpool Philharmonic Orchestra | D♭ Minor | 1 | 12A | 84 BPM | ||
Concerto en ut mineur BWV 981: IV. Prestissimo | Johann Sebastian Bach, Alexandre Tharaud | A♭ Major | 3 | 4B | 133 BPM | ||
Embarquement pour Cythère | Erik Satie, Alexandre Tharaud, Isabelle Faust | G Major | 1 | 9B | 80 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM |
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